Clear Opinions Typeface

Last Updated on July 23, 2026 by Editorial Team

Clear Opinions is a free typeface created by Su Korkmaz and Mert Mayda. It comes in 3 styles (Regular, Light, Bold) and is suitable for text, titles and headlines.

Free for commercial and personal use.

What makes Clear Opinions stand out immediately is its geometric, slightly rounded construction paired with unusually tight letter spacing.

Looking at the preview, the small word “CLEAR” sits in a thin, almost wiry weight, while “OPINIONS” below it is set much larger and bolder, with the letterforms nearly touching each other.

That contrast between a delicate cap-height line and a chunky, confident headline is really the heart of this typeface’s personality.

It reads as modern and a little unconventional, the kind of type choice that feels considered rather than default.

The letterforms themselves are worth studying closely. The R has a straight diagonal leg that kicks out at an angle, the O is a true circle rather than an oval, and the S carries soft, open curves that keep the bold weight from feeling heavy or clumsy.

There’s a faint architectural quality to the whole family, like it was drawn with a compass and a ruler and then relaxed just enough to feel human.

Against the deep navy background in the preview, the white letterforms have a crisp, almost neon-sign clarity, which hints at how well this face performs in high-contrast layouts.

Where Clear Opinions Works Best

This typeface is built for moments where a headline needs to do the talking.

Think editorial pull quotes, magazine covers, poster headlines, or the kind of bold statement typography you see on brand manifestos and about pages.

The tight tracking and geometric bones also make it a strong candidate for logotypes and wordmarks, especially for brands in fashion, architecture, culture, or lifestyle spaces that want to feel opinionated without shouting.

Because it comes in Light, Regular, and Bold, you can build a surprising amount of hierarchy within a single family.

• Use the Light weight for eyebrow text, captions, or subtle taglines above a headline.
• Reach for Regular in body-adjacent contexts like pull quotes or short paragraphs where a geometric sans still needs to stay readable.
• Save Bold for the moment you want maximum visual weight, like a cover title or a single-word statement.

When you drop this typeface into your own layouts, pay close attention to spacing.

The default tracking already reads tight, so if you’re setting longer headlines, you may want to open the letter spacing slightly in your editor so the words don’t visually merge at larger sizes.

Conversely, if you want that dense, graphic look shown in the preview, keep the tracking as tight as possible and let the letters almost kiss, it reinforces the confident, declarative mood the name suggests.

Color pairing is worth thinking through as well.

The navy-and-white combination in the preview is a good reference point: a saturated, dark background lets the geometric shapes breathe and gives the bold weight real presence.

On lighter backgrounds, try pairing Bold Clear Opinions with a muted or single-tone palette so the typography stays the focal point rather than competing with busy color.

For pairing with other typefaces, look for a workhorse serif or a humanist sans for body copy.

Since Clear Opinions is so geometric and graphic at large sizes, it benefits from a quieter, more neutral partner for paragraphs and captions, letting the display type carry the visual personality while the body font handles readability.