Ego Icon Set – 100 free icons
Last Updated on July 13, 2026 by Editorial Team
An amazing amazing icon set created by Vincent Le Moign. The full icon set contains a whopping 3600 icons.
The freebie contains 100 icons in .SVG, .PDF, .AI, .SKETCH, .EPS, and .iconjar format, in 2 styles (duotone and monoline).
What makes this free icon set stand out visually is the isometric, faceted construction running through nearly every glyph. Instead of flat outlines sitting on a single plane, each icon is built like a tiny 3D object, with visible top, front, and side faces rendered in a soft blue duotone.
That extra face is usually filled with a lighter tint of the same blue, which gives the whole set a subtle depth without ever tipping into skeuomorphism or heavy shading.
The subject matter is refreshingly varied. There are wearables and lifestyle objects like a smartwatch and a vase, transport icons like a delivery van, ship, and mailbox-style envelope, communication bubbles with smiley faces and dots, camera and media icons, a lighthouse and a bow and arrow, city buildings, a medal, a spray can, and a set of stylized human faces and avatars.
This breadth is exactly why the Ego icon set works so well as a general-purpose UI icon library rather than a niche pack tied to one industry.
Because the pack ships in both duotone and monoline styles, you get real flexibility depending on where the icons will live. The duotone versions, with their layered blue faces, read beautifully at larger sizes: app onboarding screens, feature callouts, pricing tables, or infographic panels where the icon itself is a focal point.
The monoline variants strip away the fill and depth, leaving clean single-weight strokes that behave more like traditional interface icons. Those are the ones you would reach for in navigation bars, form fields, buttons, or anywhere icons need to sit quietly alongside text without competing for attention.
Adjusting the Icons to Match Your Brand
Since the icons are vector-based, recoloring them is straightforward in any editor that handles paths and layers.
For the duotone style specifically, treat the two blue tones as separate objects rather than one flat shape.
Select the base outline color first and swap it for your primary brand color, then adjust the lighter face fill separately so the layered, faceted look survives the recolor instead of collapsing into a single flat tint.
If you are working with the monoline set, a simple stroke color and weight adjustment is usually enough, and bumping the stroke weight slightly can help small icons stay legible at 16 to 24 pixel sizes.
Because every icon shares the same geometric, isometric logic, mixing and matching icons from different rows in the preview grid still feels cohesive, so you can pull just the ones you need for a project without worrying about visual mismatch.
Pair these icons with a clean sans-serif for feature lists and dashboard labels, since the geometric precision of the icons echoes well against grotesque or geometric typefaces rather than softer scripts.
They also sit nicely next to flat illustration styles or isometric mockups, given the shared use of depth and simple color blocking, which makes them a natural fit for SaaS landing pages, app store screenshots, slide decks, and product explainer graphics where a consistent icon language needs to carry across many small visual moments.
