Set of Minimalistic Phone Mockups
Last Updated on July 12, 2026 by Editorial Team
A great set of minimalist phone mockups that includes 10 .PSD files:
- Phone 01 Dark Style
- Phone 01
- Phone 02 Dark Style
- Phone 02
- Phone 03 with Case, Dark Style
- Phone 03 with Case
- Phone 04
- Scene 1
- Scene 2
- Screens
Fully customizable elements, including phone, backgrounds and shadow.
Created by Tran Mau Tri Tam
The mockup pictured here shows exactly the kind of restraint that makes this set so usable: a phone tilted at a soft isometric angle, floating against a pale gray backdrop with a diffused purple-blue glow underneath it like a light source bleeding through frosted glass.
The device itself has a teal-to-mint gradient running along its bezel, a minimal top speaker slit, and a single circular home button rendered in the same soft teal tone.
There’s no visual noise competing with the screen. That’s the whole point of a minimalist phone mockup like this one: the hardware recedes so the interface you drop in becomes the actual subject of the image.
This kind of PSD phone mockup earns its keep in app store screenshots, portfolio case studies, product landing pages, and social media previews where you need to show a mobile screen convincingly without a lot of production overhead.
Because the phone body reads as generic rather than branded to a specific manufacturer, it works equally well for showing a fintech dashboard, a travel app, an e-commerce checkout flow, or a personal project screen you’re presenting on Behance or Dribbble.
The dark style variants included in the set matter more than they might seem to at first glance.
A light UI screen dropped into a light-style phone can look washed out and low-contrast in a portfolio grid, especially next to other project thumbnails.
Having a dark-bezel option means you can match the mockup’s mood to the screen you’re inserting, keeping dark mode app designs looking properly moody and letting bright, colorful interfaces pop against a darker frame instead of blending into it.
Working With the Layered Scenes
The two included scene files are worth building your presentation around rather than treating as an afterthought.
A single phone mockup is fine for a quick app store shot, but a scene with a floating device and a soft ambient shadow, like the glow seen in the preview, gives you something that feels closer to a finished marketing visual.
To customize it, open the smart object or screen layer, place your UI design or screenshot inside, and let the mockup handle the perspective and any reflection or shadow automatically.
From there you’re free to shift the background color, since the phone, backdrop, and shadow are all separated as their own editable elements.
Swapping the neutral gray background for a brand color, or adjusting that glow underneath the phone to match your palette, is usually just a matter of changing a fill or hue on its own layer without touching the device itself.
Because the shadow and background are independent from the phone graphic, you can also duplicate a single phone across multiple background colors to produce a quick set of variations for A/B testing app store listings or social posts.
If you’re presenting a full product story, pairing one of the flat, straight-on phone views with one of the angled scene compositions gives a case study some visual rhythm: a clean detail shot next to a more atmospheric hero image, both pulled from the same coherent set so the styling never feels mismatched.
The case-style phone variants add another option when you want the mockup to feel a touch more tactile or physical, useful if the rest of your presentation leans toward product photography rather than pure UI display.
